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Polaris Amphitheatre (Columbus, Ohio) August 29, 1996
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Brent Garrett's Review
Mike Perfect Stranger Figg's Review
The Out on the Main Line Review
Dale Hesselroth's Mini-Review
The Set List
- Hey Hey My My
- Pocahontas
- Big Time
- Slip Away
- The Needle and the Damage Done
- Heart of Gold
- Sugar Mountain
- Cinnamon Girl
- Fuckin' Up
- Cortez The Killer
- Music Arcade
- Like a Hurricane
Encores:
- Loose Change
- Sedan Delivery
Polaris Amphitheatre, August 29, 1996
review by Brent Garrett
It took me most of the next day to recover from
TTEDCRF
(Ted's Totally Excellent Deer Creek
RustFest) and the show, but Columbus was worth it.
I went from the rear of the pavilian at Deer Creek
to 8th row, center in Columbus.
As many othe people have posted, it's the
joy in Neil's and the Horse's eyes that make the show. I've never seen
anyone as focused as they were. It was only during Fucking Up that they
really acknowledged the audience, with the birds flying all around.
The highlight as mentioned in a few other posts was LAH. It started
off much like the previous night, but took off once Neil snapped his last
guitar string. Billy had also broken all his strings and was lying prone on
the floor, banging on his bass. Neil was smashing his guitar with his hand,
coaxing whatever noise he could out of the poor instrument. Every few
minutes he made it back to the mike to sing, "I could have loved her...."
then went back to making incredible sounds out of his stringless guitar.
They finished up with Billy hitting his bass with the power cord to produce
sound and Neil holding the end of two strings from his guitar and banging
them against his guitar. Totally absorbed by the hurricane. As they
finished up, Neil tried to blow out the candle with no luck. It took him
about 10 blows before the candle would go out. In the meantime he spilled
wax all over the place. He ended up smashing the candle on the stage (Larry
C., Electro Tech, picked up the candle as to revive it, but he also ended up
smashing the candle to the stage). Between the lights, the sound, and the
fury, the hurricane definitely hit.
A great Neilism occurred during the encore. He said (in his usual elequent
manner!!),
"It's good to be back in Ohio," while
setting up his harmonica.
A bunch of people in front were going wild and yelling "Ohio!!!!" Neil
said, "Settle down, you don't even know what I'm
going to play," and proceeded to play Loose Change.
IMHO, volume was not a problem. There was no ringing at all the next day.
During the Columbus show, I got to see Spiritualized (a great band by the
way, sort of Renaissance meets the Dead) and it was incredibly loud - but
there were no people to absorb the sound, only seats.
Greatest concerts. Naaaa. Still doesn't compare to RNS
and in the last year Michelle Shocked and John Hiatt (both in much
smaller facilities) still take the cake. All in all, though, my batteries
are charged and I'm ready to take on life again.
Brent
Polaris Amphitheatre, August 29, 1996
review by Mike Perfect Stranger Figg
As expected, Neil was at Polaris tonight, but you all
knew that. I didn't have anything to write with so I had to be creative with
remembering the set list....
Hey, Hey, My, My; Pocahontas hit the Big Time before she
Slipped Away because of The Needle. The Needle made her feel
like she had a Heart of Gold, but you know you can't live on
Sugar Mountain forever. Cinnamon Girl, on the other
hand, was Fuckin' Up with Cortez down at the Music
Arcade. All of this resulted in a horendous storm that was Like
A Hurricane. It seemed like it was pointless to wait for any more,
but Neil came back to pick up a little Loose Change as a result
of a Sedan Delivery.
The whole night was a highlight for me, but LAH still stood out. I had
expected to hear PowderFinger but it wasn't there (damn curfew). It
probably wouldn't have fit in the story anyway. It was a treat meeting a few
Rusties, although we weren't organized enough to do much. I met Tom Gyrn early
and talked with him for awhile. Brent Garret and then Terry Gardner found me in
the upper pavilion before Jewel played. Between Jewel and Neil I met Tom Hanna
and found Brent again after losing Tom Gyrn in the crowd. It was great to meet
you all. Too bad we didn't have more here.
Jewel was better than her CD, IMHO, but I'm not impressed with the CD anyway.
She was worth listening to live, and can definitely yodel up a storm.
Perfect Stranger,
Mike Figg
Polaris, Poncho and More Polaris Amphitheatre, August 29, 1996
review by Out on the Main Line
So much to write about...
The Polaris show was incredible. Many have talked about LAH, which
was unlike anything I've ever experienced, especially since I was directly in
front of the speakers pumping out those massive waves of bass and feedback. I
literally had to brace myself to keep from being knocked over. Just as good,
though, was Fuckin' Up, with Neil, Billy and Poncho leaning and knocking
into each other like human bumper cars.
I got to see a couple of rusties at the show (love those shirts), but I was
with friends from college I haven't been with for years so I didn't have much
time for socializing. I'm planning to get to Star Lake early, and am looking
forward to meeting y'all.
Speaking of Star Lake, the Pittsburgh Post-Gazette ran an interview 8/30 with
Poncho as a preview to the show. Here's a few highlights:
"When you get back on the Horse, it's like this is the barn, where we
belong. Now just pust us out in the field for awhile and we'll romp around."
Sampedro confirms what every armchair guitarist already knows: It is indeed
fun to play with Neil Young.
"It is right now. There are times when he's got the dagger in his eyes, man.
He gets that glare in his eyes that can just cut you right in half. Then there
are tours like this one, when if something goes wrong, he just laughs it off
because there's so many good things going on, it's not worth bothering
about."
Sampedro isn't sure whether Crazy Horse has picked up many Pearl
Jam fans for this tour, because he doesn't spend much time looking out at
the crowd.
"I'm busy trying to keep up. When I do loook up it's just a blur. I think I
play with my eyes cosed. If I do look out, I find a girl and the next thing I
know they've changed songs on me."
See you in Pittsburgh
Out on the Mainline
Loose Change Polaris Amphitheatre, August 29, 1996
mini-review by Dale Hesselroth
Awesome! Neil came out and said
"You guys have been so good, we're going
to play one we don't know very well"
and then proceeded to play a note-perfect rendition of Loose Change
-- with his solos mixed higher than on the CD, and many, many more suble
variations through the second half. The first time I heard it (playing
overhead as I walked into the record shop to buy BA!), I
thought "Oh no, what's this?!" But it grew on me all summer, then to
see it live, especially as a climax to everything else that had happened
up the that point, WHOA! Powerful, thundering, rythmic background with
his solos laced neatly, piercingly among the crashing. Kind of like
symphony -- catch the theme early and listen to the artist wonder all
over with it, stretching, pulling, playing, but never straying from the
main idea. Here's a song he gets lost in and we can hear how his mind
works -- as we can in much of his live music -- it's the source of
greatest pleasure for me in seeing him perform.
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